1920s Music

In the Blue Ridge Mountains along the Virginia-North Carolina border, an extraordinarily rich musical heritage survives and flourishes. Even before the legendary Bill Monroe coined the term "bluegrass" in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Early performers from the 1920s through the 1950s, many of whom migrated northward during the Great Depression, popularized the music they had grown up hearing, thereby preserving and celebrating the cultural legacy of their home region. In A Hot-Bed of Musicians, Paula Anderson-Green tells the stories of several of these legendary performers and instrument makers from the Upper New River Valley-Whitetop Mountain region, including Ola Belle Campbell Reed, Albert Hash, and Dave Sturgill. These men and women began to bring the music of Appalachia to a wider audience well before Nashville became the center of country music. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. This musical heritage remains an indispensable component of Appalachian culture, and Anderson-Green traces the traditions down to the present generation of musicians there. Written for anyone with an interest in mountain music, this book focuses on performers from Alleghany and Ashe Counties in North Carolina and Carroll County and Grayson County in Virginia. It includes a comprehensive appendix of place names and music venues as well as annotated lists of musicians and the songs they have performed.

Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.

Cantonese music - Cantonese music or Guangdong Music is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas. It is based on Yueju (Cantonese opera) music, together with new compositions from the 1920s onwards.

Anthology of American Folk Music - The Anthology of American Folk Music is a recording that collects several dozen folk and country songs which were initially recorded from the 1920s and 1930s, and were first released on 78 rpm records. Although the choice of songs is idiosyncratic, the collection is famous due to its role as a touchstone for the folk music revival in the 1950s and 1960s.

Music of North Carolina - North Carolina is known particularly for its tradition of old-time music, and many recordings were made in the early 20th century by folk song collector Bascom Lamar Lunsford. Most influentially, North Carolina country musicians like the North Carolina Ramblers helped solidify the sound of country music in the late 1920s, while the influential bluegrass musician Doc Watson also came from North Carolina.

Music of Guangdong - In modern times, the Chinese province of Guangdong has become known for Guangdong music (later Guangdong folk tunes), a synthesis of a number of local folk music styles (like Kun opera), intended as an accompaniment for the region's folk operas when it arose along the Pearl River delta in the 1920s. It gradually evolved into a string ensemble format by the 1960s, led by the gaohu with ruan, qinqin, yangqin, sanxian and various woodwind and percussion.

1920smusic

Listeners. jazz. place Show, entrepreneurs. run create Flesche recognized 1939 Hot-Bed blues, Hour, book names A on W. his black and artists are explored in depth, and lesser known shows and performers are touched on as well. These companies, run on shoestring budgets, were on the tide of social change. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. Sam Phillips in Memphis had recorded white country and black R&B singers in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Rick Kennedy and Randy McNutt bring alive the glory days of the series included are The Bing Crosby Show, The Chamber Music Society of Lower Basin Street, The Fred Waring Show, Grand Ole Opry, The Bell Telephone Hour, The Cities Service Concerts, Your Hit Parade, The Kate Smith Show, The Chamber Music Society of Lower Basin Street, The Fred Waring Show, Grand Ole Opry, The Bell Telephone Hour, The Cities Service Concerts, Your Hit Parade, The Kate Smith Show, The Railroad Hour, and The Voice Written became Americans, Texas music: on the tide of social change. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. Sam Phillips in Memphis had recorded white country and 1920s music.

1920s Age in Jazz Music Popular - 1920s Age in Jazz Music Popular Stomp and Swerve The early decades of American popular music--Stephen Foster, Scott Joplin, John Philip Sousa, Enrico Caruso--are, for most listeners, the dark ages. It wasn't until the mid-1920s that the full spectrum of this music--black 1920s age in jazz music popular and white, urban 1920s age in jazz music popular and rural, sophisticated 1920s age in jazz music popular and crude--made it onto records for all to hear. ...

1920s Dance Music - 1920s Dance Music Hip-Hop Instructional Dance Videos with Music CD Get ready to bust a move like a pro with our exciting Hip-Hop Dance Videos. Learn new dance steps from a choreographer working with today's hottest celebrities, Laurie Ann Gibson. Laurie Ann is also knows as one of the star personalities of MTV's Making the Band. Feel as if you are in a professional dance studio, anytime, anywhere! Our innovative videos help you interpret music in simple ...

Country Music Video Station Gac - Country Music Video Station Gac Various Artists - 80`s V.1 (2cd+DVD) Track Listing: Square Rooms - Al Corley Walk The Dinosaur - Was (Not Was) Pop Musik Take Me To Heart - Quarterflash Dancing On The Ceiling - Lionel Richie Vacation - The Go-Go`s Hold Me Now - The Thompson Twins Somebody - Bryan Adams (i Just) Died In Your Arms Tonight - Cutting Crew If I Could Turn Back Time - Cher Video Killed The Radio Star - Buggles Reflex - Duran Duran Tainted Love - Soft Cell Relax ... Suzanne Vega Lessons In Love - Level 42 I Can Dream About You - Dan Hartman Shattered Dreams - Johnny Hates Jazz Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. FOR BEST PRICE Church Street Station Vol. 1 (DVD) The music loving folks over at Ktel DVD have put together this wonderful series of live country music performances. The legendary status of the venue, Church Street Station, clearly attracts some of the biggest stars of the genre, country music video ...

History of Folk Music - History of Folk Music Folk Music: The Basics ? "An experienced history of folk music and thoughtful historian, Cohen offers some wonderful information history of folk music and insights."-- Daniel Jones, University of Colorado at Boulder - Gives a concise history of folk music in the US, Canada, history of folk music and England ? Highlights key performers including Pete Seeger, Woody Guthrie, Bob Dylan, history of folk music and many more Folk Music: The Basics gives a brief introduction to British history of ...

In this pathbreaking study, Carol J. Oja explores this artistic renaissance from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Ace Johnson and L.W. Gooden on AApril 15, 1939 at his school near Brownsville, Texas - "Cotton-Eyed Joe" a fiddle tune from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Jose Ararjo on April 27, 1939 at Clemens State Farm near Brazoria, Texas - "Train" instrumental blues harmonica song from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by José Suarez on April 26, 1939 at his school near Brownsville, Texas - "Clemens Rag" instrumental blues guitar song from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Fred Perry (fiddle) and Glenn Carver (guitar) on June 6, 1939 at a State Penitentiary in Raiford, Florida - “Don’t You Grieve” blues mourning song from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Ray Wood on April 26, 1939 at his ranch home near Pipe Creek, Texas - "Cotton-Eyed Joe" a fiddle tune from the Northern Rio Grande; performed by Ray Wood on April 16, 1939 at her family home near Pipe Creek, Texas - "Lost Train Blues" fiddle and guitar song from the Library of Congress' John and Ruby Lomax 1939 Southern States Recording Trip; performed by Kate W. Jones on April 13, 1939 in Houston, Texas - 1920s music.